一聽音樂網

5、11、12這三首壓制后頻譜不是很好，原盤問題。
 
7歲的奧利芙，戴眼鏡，小肚腩，做一夜成名的美夢，堅信自己有朝一日能當選美國小姐。
 
爸爸，推銷成功學課程的講師，相信“世界上只有兩種人，成功者和失敗者”，四處販賣他的“成功九部曲”；哥哥，自閉男，崇拜尼采，為了考上飛行學院發啞誓，九個月沒有同家人說話；舅舅，自稱是美國最好的普魯斯特研究學者，同性戀，戀人和同事跑掉、失業，自殺未遂，生活混亂；爺爺（阿蘭·阿爾金 飾），被養老院趕出來的老流氓，滿嘴臟話、吸毒；媽媽，是這個瘋狂家庭唯一正常的人。
 
在家人的支持下，奧利芙參加了“陽光小美女”的選美比賽，一家人踏上了集體尋夢的旅程。
 
奧利芙能否如愿當選？家庭成員們怎樣才能度過他們各自的危機？ ©豆瓣
 
The quirky Hoover family's travels from New Mexico to California in order to support 7-year-old Olive's dream of being in a beauty pageant and the events that occur during the trip provide the back line to the soundtrack to the film Little Miss Sunshine. With the exceptions of the pop-dance "Catwalkin'" and the remix of "Superfreak," which presumably are played during the actual competition, the music that accompanies the film is pretty, introspective, and vaguely sad -- the perfect choice for a 2006 Sundance-celebrated film (it was the reception it received at that festival that prompted Fox Searchlight to buy the distribution rights to it). Indie rock à la Sufjan Stevens (who, in fact, contributes two songs, "Chicago" from Illinois and "No Man's Land" from its outtakes album), courtesy of composer Mychael Danna and Colorado band DeVotchKa, rolls and sweeps across the Southwestern landscape with strings and horns and melancholic chords as family drama plays out, both the film and the soundtrack resolving in the final notes of the album. But that song, "How It Ends," which returns to a theme found in the opener "The Winner Is," with arpeggios and eighth-notes that move sadly along as violins fade out and end, leaves questions unanswered. Because Little Miss Sunshine isn't trying to give definite reasons for anything, instead it's exploring relationships and life, and so as the songs go from Rufus Wainwright-esque ballads to spaghetti western-inspired instrumentals, these same feelings of searching and discovery come through in the notes. Everything has that kind of sad and funny and yet achingly beautiful feel that you get when tragedy or hardship strikes in an absurd manner, and you're not sure whether to laugh or cry. It's a touching album for a touching movie, good enough to be enjoyed on its own but better still as a reminder of the film.