一聽音樂網

根據美國女作家諾薇琳恩．普萊絲的回憶錄拍攝，描寫在三十年代的德州，女教師兼新秀作家普萊絲跟傲慢自大的流行小說作家羅伯特．霍華德產生了一段執迷不悔的愛情?；羧A曾寫過《王者之劍》等暢銷書，成功令他感到困擾。而普萊絲年輕漂亮，個性也獨立倔強，兩人碰在一起竟產生了電光火石的效果，兩個愛好幻想的作家，經常把他們的夢想和真實情況搞亂了。(By 豆瓣)

Hans Zimmer's credit may headline The Whole Wide World, but in truth the score was written by up-and-coming composer Harry Gregson-Williams, who later proclaimed "Hans didn't write any music for [this movie]. In fact, he heard my score for the first time at the premiere." Zimmer's fingerprints are nevertheless smeared all over The Whole Wide World -- bass-heavy synthesizers and bombastic arrangements are just two of his signature moves borrowed wholesale by Gregson-Williams, who also dabbles in a series of melodic contexts spanning from lush romance to epic action to Latin-inspired dance (the idiosyncratic "Sombrero"). Gregson-Williams is nevertheless too much of a novice to command any of these disparate genres with authority, and the result is a score undermined by its disjointed, often haphazard approach.