- Alice In Wonderland 愛麗絲夢游仙境歌迷最喜歡的歌曲
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家喻戶曉的童話故事素來是卡通電影取之不盡的創作源泉，這其中尤其以英國作家劉易斯.卡羅爾的經典童話《愛麗絲夢游仙境》最受電影人的青睞，卡通電影大師沃爾特.迪斯尼便借助這個老幼皆知的故事創造出了一部賣座影片——
劉易斯.卡羅爾原本是一名數學家，但不泯的童心促使他在1903年創作出了《愛麗絲夢游仙境》這個經久不衰的童話故事。故事講述的是在一個陽光明媚的下午，百無聊賴的少女愛麗絲墜入夢鄉，在夢境中，她追隨一只小白兔闖進了神奇的仙境，開始了一段奇妙無比的冒險故事。
《愛麗絲夢游仙境》不僅是文學史上流傳最廣的童話經典，也在百年電影史上留下了諸多足跡，它曾被數十次搬上銀幕，成為經典的電影題材。
《愛麗絲夢游仙境》也一直是卡通電影大師沃爾特.迪斯尼的興趣所在。早在20年代他開始在卡通片領域做實驗時，他便嘗試將卡通與真人結合，拍攝了一系列名為《愛麗絲夢游卡通國》的短片，并找來一個小姑娘扮演愛麗絲。后來，他還先后打算用瑪麗.璧克馥和琴吉.羅杰斯飾演愛麗絲，與卡通人物一起演出，但最終他還是放棄了這些念頭。
全卡通版的《愛麗絲夢游仙境》的制作始于1946年，共花了5年時間和三百萬美元才得以完成。然而，它無論在商業還是口碑方面都令人失望，第一次發行時居然虧損了一百萬美元，沃爾特為此向公司全體人員作了公開檢討。
對影片最主要的批評是認為它缺乏對這個經典童話足夠的尊敬，創作人員幾乎混淆了《魔鏡》和《愛麗絲夢游仙境》這兩部作品，影片中的插曲大都來自《魔鏡》，如“我遲到了”、“金色午后的一切”、“非常好的建議”等，盡管該片的作曲最終獲得了奧斯卡提名。
Another lavish Hallmark TV movie turned out as a delightful live action version of Lewis Carroll's famous book and featured all manner of famous stars from both America as well as this side of the Atlantic.The typically excellent production was accompanied by an especially delightful score that makes up for in charm and incident what it might lack in originality and cohesion.The somewhat dour and dreamy Prologue soon gives way to a tripping scherzo Main Title which appropriately sets the whimsical tone for the rest of the score.There are hints of Thomas Newman in the use of strings (most notably from Newman's Little Women), but little ideas from other composers appear from time to time.There are suggestions of anything from Horner's Casper to Williams' Hook, but these are usually short and don't detract a great deal.
Hartley's own musical personality is warm, occasionally balletic and only rarely does it resort to mere padding or simple orchestral overkill.In fact the lightness of touch is remarkable and only once in a while does the full orchestra take flight.There is much use of twinkling percussion, bouncing woodwind and swirling strings with brass only appearing for fleeting moments of heroism such as the striking Into the Book.This features an almost fanfare like adventure theme that comes as a bit of a surprise, but certainly a welcome one.
Even if the music isn't as superbly wrought or inspired, the approach to scoring is almost Herrmann-esque with little ideas that are taken up in each cue.There isn't a huge amount of track to track thematic consistancy, but with so many ideas and fragments of melodies flying about there is always something entertaining and somewhat different around the corner.Several tracks use parts of the few short songs.It is rather a shame that there are so few songs since they are all good fun and fit in nicely around the underscore.Sadly the entire thing wasn't conceived as a full blown musical, but in this instance I think it would have worked out wonderfully.
I suppose anything accompanying something with creations from Carroll's vivid imagination was always going to be pretty entertaining, but this is certainly a generally very entertaining album.Almost everything from comedy, action, adventure to mild horror are catered for.I suppose the huge variety and coupled with the large number of tracks means that it can tend to get a little fragmented, even if almost every fragment is well worth hearing.With perhaps great leverage for lengthier cues and slightly less adherance to the temp track, this might have turned into a more coherent work, however as it stands, it is a fine score and given a very generous release by Varese.
劉易斯.卡羅爾原本是一名數學家，但不泯的童心促使他在1903年創作出了《愛麗絲夢游仙境》這個經久不衰的童話故事。故事講述的是在一個陽光明媚的下午，百無聊賴的少女愛麗絲墜入夢鄉，在夢境中，她追隨一只小白兔闖進了神奇的仙境，開始了一段奇妙無比的冒險故事。
《愛麗絲夢游仙境》不僅是文學史上流傳最廣的童話經典，也在百年電影史上留下了諸多足跡，它曾被數十次搬上銀幕，成為經典的電影題材。
《愛麗絲夢游仙境》也一直是卡通電影大師沃爾特.迪斯尼的興趣所在。早在20年代他開始在卡通片領域做實驗時，他便嘗試將卡通與真人結合，拍攝了一系列名為《愛麗絲夢游卡通國》的短片，并找來一個小姑娘扮演愛麗絲。后來，他還先后打算用瑪麗.璧克馥和琴吉.羅杰斯飾演愛麗絲，與卡通人物一起演出，但最終他還是放棄了這些念頭。
全卡通版的《愛麗絲夢游仙境》的制作始于1946年，共花了5年時間和三百萬美元才得以完成。然而，它無論在商業還是口碑方面都令人失望，第一次發行時居然虧損了一百萬美元，沃爾特為此向公司全體人員作了公開檢討。
對影片最主要的批評是認為它缺乏對這個經典童話足夠的尊敬，創作人員幾乎混淆了《魔鏡》和《愛麗絲夢游仙境》這兩部作品，影片中的插曲大都來自《魔鏡》，如“我遲到了”、“金色午后的一切”、“非常好的建議”等，盡管該片的作曲最終獲得了奧斯卡提名。
Another lavish Hallmark TV movie turned out as a delightful live action version of Lewis Carroll's famous book and featured all manner of famous stars from both America as well as this side of the Atlantic.The typically excellent production was accompanied by an especially delightful score that makes up for in charm and incident what it might lack in originality and cohesion.The somewhat dour and dreamy Prologue soon gives way to a tripping scherzo Main Title which appropriately sets the whimsical tone for the rest of the score.There are hints of Thomas Newman in the use of strings (most notably from Newman's Little Women), but little ideas from other composers appear from time to time.There are suggestions of anything from Horner's Casper to Williams' Hook, but these are usually short and don't detract a great deal.
Hartley's own musical personality is warm, occasionally balletic and only rarely does it resort to mere padding or simple orchestral overkill.In fact the lightness of touch is remarkable and only once in a while does the full orchestra take flight.There is much use of twinkling percussion, bouncing woodwind and swirling strings with brass only appearing for fleeting moments of heroism such as the striking Into the Book.This features an almost fanfare like adventure theme that comes as a bit of a surprise, but certainly a welcome one.
Even if the music isn't as superbly wrought or inspired, the approach to scoring is almost Herrmann-esque with little ideas that are taken up in each cue.There isn't a huge amount of track to track thematic consistancy, but with so many ideas and fragments of melodies flying about there is always something entertaining and somewhat different around the corner.Several tracks use parts of the few short songs.It is rather a shame that there are so few songs since they are all good fun and fit in nicely around the underscore.Sadly the entire thing wasn't conceived as a full blown musical, but in this instance I think it would have worked out wonderfully.
I suppose anything accompanying something with creations from Carroll's vivid imagination was always going to be pretty entertaining, but this is certainly a generally very entertaining album.Almost everything from comedy, action, adventure to mild horror are catered for.I suppose the huge variety and coupled with the large number of tracks means that it can tend to get a little fragmented, even if almost every fragment is well worth hearing.With perhaps great leverage for lengthier cues and slightly less adherance to the temp track, this might have turned into a more coherent work, however as it stands, it is a fine score and given a very generous release by Varese.
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